White Christmas? The Best Stain Prevention and Removal Tips for Your Home

It’s the most wonderful time of the year! December is upon us and Christmas is fast approaching. Once you’ve got the decorations up, the stockings filled and the turkey ordered, it’s time to start planning for your festive guests, but how can you prepare and protect your home from the unavoidable spills and stains of dinners, drinks and a house full of excitable relatives? 

Photo by NeONBRAND on Unsplash

With proper care and maintenance, and under normal use, good quality hand-made rugs and carpets should last for at least 10 years, as should sofas and armchairs, although depending on whether you have pets and young children this may vary. As a little gift from us to you this Christmas, we’ve put together the best, most reliable ways to prevent damage and remove stains around the home.

  • Damage protection is for life, not just for Christmas! It sounds simple, but regular use of a good quality domestic vacuum cleaner removes grit and surface dust and fluff. Do this at least twice a week and you’ll stave off as much wear and tear as possible, extending the life of your interior. 
  • Spills are inevitable, we’ve all dropped the odd forkful of food or knocked over a glass of wine, but it’s what you do next that counts. Act fast and you might save yourself the heartache of a serious stain. For upholstery, white vinegar is a great natural stain remover for most fabrics. Start by blotting the stain with equal parts water and vinegar, then wipe the stain away gently using a microfibre cloth (be sure to use a brand new cloth to make sure it’s completely clean). Follow this up with a mixture of mild detergent and tepid water to remove any lingering vinegar smell and leave it to dry naturally.

Topfloor Erosion rug by Esti Barnes

  • When it comes to your carpets and rugs, we advise seeking professional help as soon as you can as they can be damaged more easily with standard home-remedies. A quick Google search will help you find your local cleaning professional, but remember to always choose ‘Carpet & Rug Institute’ approved cleaners to guarantee a good job done.
  • Here at Topfloor we offer a specialist protective coating that will protect your rugs and carpets from stains. The eco-friendly, non-toxic formula creates and protective coating that acts as an invisible barrier, repelling liquids, mud and dirt. Get in touch for more information about this.
  • Something to remember before you grab the cleaning products and vinegar is to read the label (we’re all guilty of not doing this at some point or another). Whatever you find on the label should inform how you proceed: W means you can only use a water-based cleaner. S or P means it can only be cleaned with solvents (dry-clean only). SW or WS means that you can use either a water-based detergent or solvent cleaner. A steam cleaner will be fine to use. Finally, X means that you can’t use any water or detergent on the surface – get it professionally cleaned instead.

Photo by Tj Holowaychuk on Unsplash

Whatever happens, remember that you can always ask for cleaning and maintenance advice from the experts who produce and sell and your favourite interior pieces, so don’t hesitate to ask.

Nature for Nurture: Natural Fibres in Interior Design

Natural fibres have been used in homes, furniture, fashion and textiles for centuries. It is only in the last hundred years that the invention and mass production of synthetic fibres has appeared. While they offer a different set of properties that have proved useful in that time, the recent spotlight on the environmental impact of plastics and synthetic material manufacture has proved eye-opening, and has made us all more aware of the damage they can cause to not only the natural world, but to our own health. Beyond scientific properties, there is also a refinement found in using natural materials (over man-made) that adds a certain sincerity and connection to our organic environment.

Bamboo. Photo by Thomas Kinto on Unsplash

When it comes to interior design, any good designer will remind you that the spaces we create for ourselves to live in should offer us comfort, protection and a sense of belonging. We also know that the human body is designed to respond to different features of its surroundings, such as flora, fauna, colour and texture. It makes perfect sense that if we surround ourselves with unnatural materials we may begin to feel out of place. By embracing natural materials, and creating our homes with them, we are remaining true to our biology and honouring the irreplaceable intuition our brains and bodies provide us with. This, subsequently, means we are building homes that will allow us to feel naturally safe, secure and comfortable, in turn allowing ourselves to live and work to our fullest potential.

Flax plant used to make linen. Photo by Mack Fox on Unsplash

The aesthetics of natural fibres can vary enormously, harnessing mother nature’s only flair for colour, texture and diversity. Options are near limitless and our methods—both traditional and more modern and sophisticated—for turning natural fibres into usable design pieces mean that we can be inspired by nature while maintaining a strong sense of personal style.

Linen and bamboo are two of the most popular natural fibres sourced by interior designers. Combining its ability to breathe, natural absorption and organically anti-bacterial nature, linen is a hypoallergenic fibre that is safe for all. It is often found in bed sheets and upholstery, and is particularly popular in warmer climates. It is also perfect for creating high-quality, soft-to-the-touch rugs. Topfloor’s own linen designs combine the gentle resilience of linen with a neutral colour palette inspired by nature, bringing both the aesthetic and physical properties of natural materials into the home.

Bamboo is another miraculous but completely naturally occurring materials. Its fibre offers the same hypoallergenic properties as linen, fused with a toughness and durability that is perfect for indoor-outdoor spaces, family homes and areas with heavy footfall. Bamboo is also a great alternative to silk, as it provides a natural sheen with less fragility. These hard-wearing but beautiful bamboo fibres can be found in many of our designs.

What many designers, including our founder Esti Barnes, will testify to, is that the key to creating great interiors and designed products such as rugs and furniture is a comprehensive knowledge of the differences between man-made and natural fibres, and when and how to use them, and with what design and manufacture processes. Ask an expert how to include natural fibres in your home and you’re one step closer to creating an environment that will help you thrive. 


Monochrome Mania: More than a Century of Style

Kazimir Malevich’s Black Square, completed in 1915, is believed to be the first monochrome in art history. However, there are some arguments that the origin of the monochrome can be found much earlier, and prior to the twentieth-century. Regardless, in 2019 monochrome as a definitive feature of a body of work has transcended its roots in painting, and later modernist and postmodern architecture, to infiltrate popular culture’s most-photographed art form: fashion.

Left: Topfloor’s Garbo rug, from the Jazz Age collection.                                Right: Topfloor’s Marlene rug, from the Jazz Age collection.

While the 1960s saw traditional black and white monochromatic looks aligned with a sartorial revolution for women—think Twiggy, mini-skirts and bold stripes—more than five decades later the use of monochrome has evolved into something more vibrant, but equally as striking. In some contrast to the traditional black and white spotted in suprematist painting and mid-century style, fashion house du jour Balenciaga chose to harness the power of immersing an audience in a single colour. Meanwhile, for their Spring 2020 collections shown in London, Paris, Milan and New York last month, industry giants including Chanel, Carolina Herrera, Tory Burch, Jonathan Simkhai and Prabal Gurung demonstrated their commitment to the original black and white combination, but have added new dimensions with flawless tailoring and power-suits replacing mini-skirts and party dresses. For Chanel in particular, the relationship with monochrome is longstanding and has become a defining feature of the brand. A global fascination with houndstooth, and its synonymity with high-class luxury, can be attributed to Chanel’s ownership and heavy use of the pattern. 


Topfloor’s Fire rug, from the Script collection.

Topfloor’s Harlow rug, from the Jazz Age collection.

Uniformity has long been a statement made by architects and interior designers. While architectural and interior design are intrinsically linked, monochromania was long reserved for exterior and communal spaces, and rarely spotted in more intimate, residential rooms. What was initially avoided by interior designers, for fear of creating overbearing and unliveable spaces, is now embraced by some as they take themes of oppression, uniformity and intensity from the world’s current socio-economic climate and channel them into interior work. Although you may not have a desire to live with such stark reminders of extremity and immersion, there are many ways to include monochromatic style in your interiors with the careful curation of rugs and carpets, where the use of monochrome colouration highlights the superior craftsmanship required to produce them.

Topfloor’s Envelope rug, from the 2D collection.

While minimalism makes its way into the archives of interior design history, maximalism has dominated, but what happens when you want to avoid clashing patterns and eye-popping colour? To add another dimension to your interiors, without muddying the scheme with extra colour, we recommend choosing geometric designs like our own Marlene rug, patterned pieces such as the Garbo rug, and even three-dimensional designs like Harlow. Alternatively, the use of a simple gradient can inject bold monochrome style into a space without the harsh contrast of sharp lines and shapes. Envelope is a beautifully simple gradient design and a real favourite among designers. Whatever your signature style, and however minimal it may initially feel, remember that it can always be made bolder and brighter with the addition of the right textures and textiles. 

Preview Topfloor’s Upcoming Collaboration with Nicolas Galtier at Focus/19

As summer draws to a close and autumn rolls around, so does one of the most exciting periods  of the year for the British interior design industry. Some key dates for your diary probably include London Design Festival (14-22 September), Design Centre Chelsea Harbour’s annual celebration of interiors, Focus/19 (15-20 September), Decorex International (6-9 October), now located at Kensington Olympia, and for those with a penchant for fine art, Frieze London (3-6 October). While we are looking forward to indulging in the latest news from our local art and design community, what we are most excited about is previewing a brand new collaboration with French-born artist Nicolas Galtier.

Original work by Nicolas Galtier

Exhibited in galleries worldwide, Galtier’s visually potent work is largely inspired by the rich sunshine and vibrant colours of the meditteraenean. The artist lives in Leucate, in a South West corner of France, not far from the Spanish border. Splitting his time between his France and Italy, Galtier chooses to spend much of his time in Rome, where one of Europe’s oldest paint suppliers provides him access to key materials such as linen canvas and gold and silver leaf, all wrapped up in the city’s ravishing architectural and cultural history.

Original work by Nicolas Galtier

Galtier’s resplendent works present depth, and upon closer inspection appear to be composed of layers, with background work offering a base for the illusion of movement within the painting itself. The repetition of pattern found within his work references the artist’s personal interest in meditation and reflection.

Original work by Nicolas Galtier

In this new collaboration, Topfloor designer Esti Barnes is using her own creative process to reinterpret Galtier’s stunning works of art as covetable rug designs. The processes, depth and patterns in the artist’s work lends itself seamlessly to the process of hand-knotting rugs and is the catalyst behind the collaboration.

Money Plant Original & Money Plant Rug Detail

Due to the complexity of this interpretive process, the majority of the collection will be unveiled later this year, in November. However, Focus/19 attendees can get an exclusive preview of the collaboration by attending Topfloor’s Access All Areas event on Monday 16 September at 12:30pm. The event is a unique opportunity to meet the artist and find out more about the elegant new collection.

Frost Original

Frost Rug Detail

Meet The Artist: Nicolas Galtier is part of Focus/19’s Access All Areas event and will take place at 12.30pm, Monday 16 September at Topfloor’s showroom, on the second floor of the Design Centre south dome.

The Unexpected History of the Kidney-Shaped Swimming Pool

Throughout the last few weeks, Europe has seen record temperatures and one of the hottest starts to a summer in modern history. For many, the first port of call when a heatwave hits is the nearest swimming pool. While British lidos are growing in popularity after decades of neglect, those on the continent, who have more consistently sun-drenched seasons, are most likely to be found sunning themselves by a private pool. Outside Europe and across the pond, the kidney-shaped swimming pool is synonymous with West Coast glamour and Californian skateboard culture, but where did this classic pool style originate?

Architect Pierre Koenig’s iconic Stahl House, Los Angeles. Photo by Sterling Davis on Unsplash

Most architecture historians look to the Donnell Garden, located in Sonoma, California. Designed by landscape architect Thomas Church, with Lawrence Halprin and architect George Rockrise, for the family of Dewey and Jean Donnell; the garden is now recognised as a Modernist icon and one of the best preserved examples of its time. Completed in 1948, the garden gained enormous popularity for its charming but unusual abstracted forms, including a kidney-shaped pool. Frequently photographed and splashed across many magazine covers, the Donnell Garden soon became a symbol of a modern style of California living that took place both indoors and outdoors. Predominantly, it became synonymous with a style of architecture and landscaping that focuses on creating fluid transitions between the two areas, with both awarded the same level of importance. As the profundity of the home’s radical approach indoor to outdoor fusion, the demand for versatile, robust materials and products that could cater to this new stylistic want. While radical back in the mid-20th Century, we, as designers, still feel that movement between indoor and outdoor spaces should be seamless and stylish and that’s why we created the outdoor rugs of the Rain or Shine collection.

Topfloor’s Berry Rugs, by Esti Barnes.

As word of the magnificent Donnell Garden spread, so did its influence. Suddenly, Californian home-owners wanted their own slice of sinuous style and many found themselves having their own kidney-shaped swimming pools built. What happened next was unexpected, but continues to impact landscapes around the world today. Some time in the mid-1970s, Southern California became trapped in a period of intense drought, and swimming pools sat empty, drained to save water, and largely unused. However, around the time, modern skateboarding was evolving and these seemingly redundant pools became much-loved skate spots for pioneers of the underground sport. Today, skateparks globally mirror the smooth curves of an empty swimming pool.

Venice Beach skateboarding, California. Photo by Julien Lanoy on Unsplash

Despite being championed as a product of the Donnell Garden’s influence, the uncovering of history of the swimming pool took a Scandinavian turn when Finnish skateboarder Janne Saario heard the story while studying Architecture. Saario, inspired by the California skate scene, went on to become a sponsored skater and competed in cities all over the world. Through skateboarding, Saario says, he fell in love with architecture and design, and went on to study architecture in University. As he heard more about the kidney-shaped pool legacy, he began to question its origins, having been aware of a much older but similarly shaped pool designed by none other than Alvar Aalto.

Aalto was renowned for his curving partitions, rounded tiles, and undulating counters — all crisp and functional, but a little more natural and cosy than other Modernist works. While many Modernists toyed with sterile concrete and clean white paint, Aalto began to work with natural wood, bending, gluing and veneering it in previously unseen ways. When art collector and lumber heiress Marie Gullischen asked Aalto to design her country home, the Villa Mairea, Aalto included a pool, defined, of course, by his signature curvaceous style.

Villa Mairea swimming pool, desinged by Alvar Aalto.

So that leaves us with one question, how did Aalto’s influence get from rural Finland to the West Coast of America? Rumour has it that Donnell Garden architect Thomas Church, visited Finland with his wife Betsy in 1937. The pair somehow located out Aalto’s home studio and decided to drop in. Aalto welcomed them in and the unlikely trio formed a firm friendship. It’s plausible that designs for the Villa Mairea (and its pool) were on display in Aalto’s studio while Church was visiting. This might have inspired the soon to be constructed Donnell Garden swimming pool.


Five Favourite Summer Destinations for the Creative Traveller

“We travel to learn; and I have never been in any country where they did not do something better than we do it, think some thoughts better than we think, catch some inspiration from heights above our own.” Nineteenth century scientist Maria Mitchell’s musings on travel and inspiration are as relevant now as they were back in 1889. Travel is often cited as one of the main sources of inspiration for creatives from all corners of our world.

Topfloor’s Esquire Rug, designed by Esti Barnes. Inspired by sand dunes on the beach.

While travel for business is one of the great privileges of working in an international design and architecture industry, sometimes the weary designer needs time to detach from the norm, unplug from the internet and be one with a new and exciting environment. As the summer holiday season approaches, we’re sharing some of our favourite destinations for relaxing, recharging and getting inspired.

Bodrum Sunset. Photograph by Esti Barnes.

Bodrum, Turkey

The sea informs everything in Bodrum, a place that only really makes sense when experienced from the water. Turkey’s jagged western coastline means that peninsulas reach out into the ocean and many areas are only reachable by boat. While tricky to navigate, there’s a certain majesty in its hidden beauty. When writer Cevat Sakir Kabaa˘gaçli – an aristocrat from Istanbul – was exiled to live in a hut on the Bodrum beach for three years he (luckily) fell in love with the area and ended up staying for thirty years. We recommend staying at the local Mandarin Oriental or Amanruya hotels for a touch of luxury.

Bali seen from the ocean on the Amankila coast.

Bali, Indonesia

If you’ve ever craved the fused seclusion and glamour of a Bond film beach, Bali is the perfect destination. While the Indonesian island is more popular than ever with the rich and famous, its authentic appeal is fiercely protected by the locals and travellers are encouraged to find the unique Bali they are looking for. Soul-searching is a must when confronted with the incredible landscapes, and the spiritual healers of Bali are considered some of the best on the planet. While the island is teeming with stunning resorts, we love staying at Amankila.

Koh Samui. Photo by Kit Suman on Unsplash

Koh Samui, Thailand

We’ve all heard the tales of European and American tourists spoiling the many Thai destinations available to travellers, but a country with such rich culture, history, architecture and natural beauty is not one to be snubbed. Thailand’s second largest island, Koh Samui, lies in the Gulf of Thailand and is renowned for its palm-fringed beaches, coconut groves and densely packed, mountain rainforest. Not to be missed is the 12 metre tall golden Big Buddha statue at Wat Phra Yai Temple, located on a tiny island connected to Koh Samui by a causeway. To guarantee a peaceful, uninterrupted stay, we’d recommend the Four Seasons.


Left: A buzzy Cartagena street scene. Right: A Panama hat stall.

Cartagena, Colombia

Perfect for those who seek a little culture to accompany their sunshine, Cartagena is an important Spanish colonial port city, and home to an impressive array of historical architecture. This includes everything from striking palaces once used by the Inquisition, right through to imposing stone castles overlooking the glittering waters of the Caribbean Sea. Originally built as a convent in 1621, the Sofitel Santa Clara is a legendary landmark in the heart of Cartagena’s walled city and the perfect place to stay.

Cap d’Antibes. Photo by Reuben Mcfeeters on Unsplash

Cap d’Antibes, France

When it comes to glamour and a flirtation with the frivolous, nowhere compares to the French Riviera. From vintage tales of champagne-fuelled hedonism to the cultural relevance of the Cannes Film Festival, this sun-soaked corner of France is all about indulgence and elegance. While Monaco and Cannes often steal the limelight, the home of the riviera’s largest port is in fact Antibes, which is also where F. Scott Fitzgerald used to summer. Inspiring in so many ways, Antibes is the ideal destination for those charmed by the eccentricities and excesses of the world’s most flamboyant travellers. Our favourite hotel has to be the Imperial Garoupe.

Topfloor’s Eldorado Rug, by Esti Barnes. Hand-woven with metal threads inspired by the Sun.

Wherever you choose to travel, be sure to practice mindfulness, taking in your surroundings and experiences as they happen, so they can serve as flawlessly recollected sources of inspiration when you head back to work. To browse more of our own travel-inspired designs click here.

The Rise of Maximalism

“I like to work on designs that will draw the eye or be the focal points of the interiors rather than designing barely noticeable pieces.” says Topfloor co-founder and designer Esti Barnes, The reason is also to show that we can push the limits of design and what we can do in the manufacturing process. If we can do the most challenging, we can certainly make the matching ones.” During 2019’s Salone del Mobile and Milan Design Week celebrations, the rise of Maximilamism was championed by everyone from the likes of design giants Versace, Gucci and Paola Navone, to up-and-coming designers from Europe and beyond.

Dimore Milano at Milan Design Week 2019

Commenting the resurgence of bold style and rug designer’s role within maximalist interior designer, Esti explains, “I think, as much as it was safe and easy, it started to become a bit boring. Colour is back, with maximalism alongside it, to bring excitement, life and energy with it. Beiges, mushrooms, oysters and taupes will never die as it has its functions too.”

‘Valentino’ rug by Esti Barnes for Topfloor

Some of the most striking examples of contemporary maximalist interiors come from the world of hospitality, where flamboyance is celebrated and luxury is a given. Described by The New York Times as “a celebratory rebuke to a dreary age”, Martin Brudnizki’s 2018 revival of 1960s-era disco-cum-supper club Annabel’s captured the hearts and minds of those starved of vibrancy during the reign of minimalism. The Swedish designer’s rococo reinvention is now instantly recognisable and has become the main event for most club members.

‘Annabel’s’ Mayfair, London

Meanwhile, seminal hotel designer Jacques Garcia–who according to Conde Nast Traveler has been traveling almost constantly for 53 years–recently celebrated the opening of his debut London hotel, L’Oscar, in Holborn. The seductive interiors were supposedly inspired by the lavishness and eccentricities of Victorian England, with a few contemporary twists.

‘Envelope’ rug by Esti Barnes for Topfloor / Interior design by Rebecca James

While it might be daunting to consider these specific breeds of elaborate decor and opulence for residential and smaller projects, Esti believes that it is just a case of careful collaboration between suppliers and designers, and keeping a keen eye on cohesion. “When we work with designers, we mostly make rugs and carpets matching the schemes with more texture rather than bold designs that bring out the other elements in their interior projects.” she explains. “So it is a balancing act. My mantra is let the rug fit its surroundings and not fight with it. We use this in all cases, including maximalism.”

‘Esquire Evolution’ rug by Esti Barnes for Topfloor

For more bold design and rug inspiration, explore our collections.


Three Eco-Friendly Ideas That Will Transform Your Interiors

Last month DECO magazine Editor Abby Trow joined us at our Chelsea Harbour showroom to talk all things eco-interiors. Just like so many others,  Topfloor is committed to making positive changes to the way we live in order to reduce our negative impact on the planet. Interior design, architecture and product manufacture are major players in our consumption of the Earth’s resources, and as suppliers we have a responsibility to make sustainable choices and provide the best options we can to those who choose to work with us. It’s not just suppliers who can make a difference. Every day interior designers and architects specify furniture, accessories and material finishes to create the environments around us. So what are the options for eco-friendly interiors?

Bamboo, photographed by Omar Rodriguez. (via Unsplash)

Embrace boho-glamour with bamboo…

According to writer Yvette Hymann and material directory goodonyou.eco, bamboo can be a surprisingly sustainable crop. A fast growing grass, it requires no fertiliser and self-regenerates from its own roots, so it doesn’t need to be replanted. When compared to cotton cultivation, which requires large amounts of water, pesticides and labour, and the deforestation tied to more traditional wood finishes, the advantages are obvious. Creatively speaking, bamboo is a highly versatile material, use for decades for everything from elegant furniture design, architectural structures, decorative items and even wall and floor covering.We use it extensively in our bespoke rug creations not only for its eco credentials but also for its aesthetic and versatility:


A few of Topfloor’s bamboo rug textures 

Opt for cruelty-free material…

Bamboo is often chosen as a more affordable alternative to natural silk  which for centuries has been the material of choice for luxury rug and carpet makers. But there is a dark side to silk. Traditionally, silk yarn is extracted from the cocoons of the silkworms by boiling them alive. Recently, we have discovered a new natural silk extraction process developed by the Eris company which does not require the ultimate sacrifice by the worms. We are already using this new silk in our rug and accessory productions and not only does it tick all the eco boxes but the results are stunning.

Close-up of a Topfloor hand-knotted rug in Eri silk


New Eri silk fabrics

Our wood flooring studio gets maximum points on the eco scale since all of our floors are certified by FSC and or PEFC. These are the two certifying bodies that ensure the highest sustainability and eco friendly credentials for all forest products materials and their application across many different product sectors.

Topfloor’s FSC-certified ‘Black Oyster’ in a Beirut penthouse by Kelly Hoppen Interiors.

A nightclub-inspired WC designed by Daniel Hopwood, photographed by Andrew Beasley.

Invest in the latest green technologies…

Finally, British interior design + Japanese technology = eco smarts for the smallest room. The bathroom might not seem like the obvious place to start, but former BIID President and interior designer Daniel Hopwood has some wise words when it comes to going green. Hopwood believes that we can transform the carbon footprint of our homes while improving functionality too. He recommends exploring the recently launched NEOREST AC washlet from Japanese innovators TOTO. He explains why going high-tech and avoiding the need for harsh chemicals and toilet paper is a step in the right direction, “Here we are, still throwing chemicals down the pan, as well as the dreaded wet wipes believing they are biodegradable which they are not.  Still lurking in the corner is the loo brush, certainly not an object of desire. What a sorry affair in every home. Last year I took a trip to Japan and saw the blinding light, a TOTO NEOREST AC. Be prepared to be amazed. the water swirling about the bowl is not just any water, its electrolysed water which acts like a bleach killing all germs, but moments later returns to being just water. Genius. A UV light integrated in the lid which combines with the zirconium coating triggers a decomposition process, making a toilet brush totally unnecessary. There is no other loo out there that can meet such environmental credentials.”

Topfloor’s FSC-certified ‘Black Oyster’ in a Beirut penthouse by Kelly Hoppen Interiors.

For The Love of Design: Embracing Sensuality

Design icon Paul Rand once said, “To design is much more than simply to assemble, to order, or even to edit: it is to add value and meaning, to illuminate, to simplify, to clarify, to modify, to dignify, to dramatise, to persuade, and perhaps even to amuse. To design is to transform prose into poetry.”

Topfloor Embed rug by Esti Barnes

With Valentine’s Day approaching and romance on our minds, it seems only right to celebrate the deep sensuality of our environments, and to embrace the invitation to narrate the spaces we live in that interior design extends. Our interiors reflect the lives we lead, with every sofa, rug, table and work of art laced with passion, dedication and a love for creation. Whether it be a bedroom, kitchen, hotel, bar or restaurant, each and every space we create serves to indulge the senses and, as Rand so profoundly stated, illuminate, dramatise and amuse us as we go. We sat down with Topfloor co-founder and designer Esti Barnes to talk about the senses, love and rugs…

Toplfoor Caress collection: Roma in 100% merino wool

How do you embrace sensuality in your design work?

Sensuality is often the subtheme when we design– for bedrooms particularly. It can be subtle and seductive like our ENVELOPE rug with its smooth colour gradation. It can be deep pile creamy silk – like the carpet we just delivered for a superyacht, or soft and curvy like our EVENTAILLE rug.

Topfloor Envelope rug: 100% silk

In your opinion as a designer, why is sensuality important in interior design?

Because it helps to imprint the client’s personality onto their home. The hospitality industry is also good at using design to create ‘fantasy’ interiors as part of the 5-star experience.

Topfloor Cancan Rug: feminine and frilled

How can rugs bring sensuality into a home?

We have a lot to play with. We can create sensuality from shape, whether the undulating curves of EVENTAILLE or the coquettish frills of CANCAN. Colour too is an obvious mood-setter. Finally, texture is key and we have so many choices that feel great under barefoot.

What is, in your opinion, the greatest love story from design history?

The Art Nouveau movement is a great source of inspiration to us and of course itself has sensuality as a recurring theme in its artwork, sculpture and textiles. Textile designer and artist Mariano Fortuny is a particular favourite.

Explore the full range of Topfloor rugs and carpets, designed by Esti, here.