Five Ways to Transform Your Interiors with Rugs and Carpets in 2019

A new year always brings a sense of refreshment and with it the enthusiasm to make positive changes in our lives and homes. There is a common misconception that altering the interiors of a home has to be a costly and intrusive process, but that is not always the case. As lovers of beautiful design we at Topfloor have seen first-hand the transformative power of flooring and how one small change can have a profound impact on the feel of a space.

Think seasonally…
The right rug has the ability to add to or develop an existing colour scheme. It is worth considering sourcing two differing styles for your living room: a thin, light-coloured rug for summer and a chunkier, darker one for the winter months. Transforming the mood of your room can be as easy as swapping between the two.

Topfloor Emmenthal rug (for winter)
Topfloor Kaftan Rug (for summer)

Go for a run(ner)…
Not all spaces are created equal. Some are sprawling and generously proportioned, others are narrow and might be short of natural light. When this is the case, or you wish to highlight a set of stairs or a grand entrance, a runner might be the most appropriate option. Explore unconventional forms pattern and bold colour within our GO-GO collection.

Topfloor Spiderman Runner

More is more…
Scale is one of the most important things to consider when designing a room. How your various pieces of furniture and chosen accessories interact with each other can completely alter the feel of a room. Interiors stylist and journalist Cate St Hill explains, “Getting a bigger rug that can be placed comfortably under furniture doesn’t just make the space look larger, it also helps to create a warm, cosy space that you and your guests will want to linger in.”

Topfloor Endless Rug

Get in formation…
We’ve always enjoyed experimenting with different shapes and styles to create unexpected rugs, and interior stylist PJ Mehaffey has great advice for making the most of different forms. “How you arrange furniture can help play up the rug’s shape. For round and oval rugs arrange most of the furniture, like sofas and chairs, just off the edge, so the shape of the rug is really featured.”

Topfloor Endive Rug

Connect with your home…
As Nylon’s digital design director Liz Riccardi explains, everything is connected, “The allure of a rug is palpable because they are something you physically touch—you sit, stand, walk, and lie on them. For me, a rug is the first thing my feet touch when I get out of bed every morning, and I think there’s something about that act that creates a very strong sense memory connection. The best rugs are really works of art. And the thing is, they can totally transform any space.”

Topfloor Venezia Rug

All rugs shown designed by Esti Barnes.

Whether you’re looking for a striking rug, elegant carpet or chic runner, you’ll find something inspiring at

8 Designers Share Their Christmas Interior Decorating Advice

Christmas has something of a reputation for flirting with the wrong side of kitsch, but there’s no denying that, when done well, a beautifully decorated home can evoke feelings of joy. Professional interior designers are well-versed in grappling with bold ideas and turning them into liveable schemes, so who better to take festive decorating advice from. 

Of course, if you happen to own one of Topfloor’s rugs like STARDUST or DRAGONFLY, your Christmas decorating task is much easier because they already set the scene with their festive colours and twinkling lights.

It all starts with a tree…

“I always get a Douglas fir as big and wide as our house permits,” says Thomas Griem, the architect behind T G Studio. He supplements this with “extremely well-made fake fir branches, which I drape over the mantelpiece and staircase”. Foot-high Nutcracker-style soldiers, sourced from Cologne’s Christmas market, perched among the evergreens.

Where there are trees, there is tinsel…

“I like it,” says Niloufar Bakhtiar-Bakhtiari of NBB Design. “It had a bad reputation for a while, but it’s coming back. It shouldn’t be overused, but I put a little on the tree, to bulk it up.”

Keep things fresh…

According to designer Scot Meacham Wood, variety is the spice of the festive season. He chooses to refresh his scheme every year, even putting different trees in each room of the house. He explains,  “My usual first step is to completely discard any idea that I’ve used before, that way, each year is new and exciting.”

Topfloor Stardust Rug

Revel in traditional ideas…

CeCe Barfield Thompson’s go-to decoration is the traditional garland. “They don’t take up much space and can be used in a number of ways that are child-friendly,” she says. “I use two magnolia leaves and tie them together at the top of my mirror so that they look like one large garland.”

Or rethink wreaths…

Have you considered swapping out your more traditional garlands for boxwood wreaths? Designer Amy Berry says she uses them throughout her house — in front of mirrors and tied to furniture. Why? “It’s not nearly as messy as garland can be,” Berry says.

Topfloor Dragonfly Rug

Feed the senses…

We all know the smells of the season, delicious aromas that instantly transport us to the most wonderful time of the year. Designer Frank Bostelmann says not to underestimate it. “Nothing gets that feeling going quicker than a bowl full of clove pierced oranges,” he says. “Or try a mulled wine with cinnamon.”

Throw the rule book away…

Take what you have and make the most of it, and don’t forget to add hints of your own individual style. “There are no rights or wrongs for a theme,” says Tor Vivian of Tor Interiors. “However, it is important to use materials that reflect the interiors – enhancing, not detracting, from your home. There are a lot of tasteless and brash Christmas decorations out there, but it doesn’t need to be like that.”

Topfloor Rock and Roll Rug

The most important thing to remember is that you can highlight the existing headline features of a home. An investment in a bold, beautiful rug adds all-year-round festivity to any scheme. Browse for yourself at

Beautiful Hotels for Design-Loving Travellers

“When you get into a hotel room, you lock the door, and you know there is a secrecy, there is a luxury, there is fantasy. There is comfort. There is reassurance.” Diane von Furstenberg summed up, in only a few words, the enchanting art of hospitality. While the glamour of air-travel and cruise ships has been lost in a world of budget airlines and all-inclusive culture, the charm of a beautifully curated hotel stay is as coveted as ever. For design lovers around the globe, booking into a hotel is an opportunity not only to experience exquisite service and relaxation, but to indulge in a new environment, where every fabric, finish and fitting has been expertly shaped to enhance the away-from-home experience.

At the recent British Institute of Interior Design conference, legendary designer and hotelier Olga Polizzi, as well as design directors from Intercontinental and Hilton Hotels, took to the stage to talk about the art of hotel design, sharing some of their insights and favourite destinations around the world. Ahead of industry-leading hospitality design event Sleep, which takes place later this month, we at Topfloor are taking the opportunity to shine a light on three of the great hotels we have had the pleasure of staying in.

Upper House Entrance


Upper House View

Upper House, Hong Kong

An unassuming consideration for visual unobtrusiveness makes the experience of staying at Hong Kong’s Upper House undeniably memorable. Elegance and contemporary style are found apparent in ever design detail. Designed by the city’s own design prodigy Andre Fu, the interiors take inspiration from Asian and Western influences, including wonderfully curated site-specific and nature-inspired artworks.

Rambagh Palace


Rambagh Palace Restaurant

Rambagh Palace, Jaipur

Although it is a flawlessly restored 1835 palace, Rambagh Palace Hotel, even with all its courtyards and pageantry, wasn’t built for a queen. It was in fact built for the queen’s favorite handmaiden. Later used as a royal guesthouse and hunting lodge, these days it is considered one of Rajasthan’s most luxurious hotels. The province’s symbol,  the peacock, lends its name to the suite we stayed in complete with four-poster bed, a bejewelled peacock, hand-made silk drapes and fabrics, crystal chandelier, gold-leaf frescoes, and french windows that open onto the gardens and from which we watched a spectacular display of summer lightning.


Belmond Hotel Monasterio


Belmond Hotel Monasterio

Belmond Hotel Monasterio, Cusco

Opened in 1995, the Monasterio broke new ground  in Cusco by being the first luxury hotel to occupy a landmark building. As impressive as any Venetian palazzo, the Monasterio is housed in the 16th-century Seminary of San Antonio Abad — which occupied the site of an Inca palace — it’s a marvel of stone masonry, colonial escutcheons, Cusco-school artworks and arcaded walkways. Discrete background organ music and the rarefied atmosphere at over 11000 feet above sea-level conspire to induce a meditative calm – particularly useful at check-out time. paying the bill. When walking around the hotel feels like a soul-nourishing museum visit, it’s unsurprising that even non-guests pop in to take a look.

Dragonfly runner from the GO-GO Collection

As designers of bespoke rugs, we have worked in collaboration with luxury hotels in New York, London, Paris, China, the Middle East and elsewhere to create unique, high-quality designs that enhance the spaces they occupy. Explore our diverse collections here.

Bauhaus Women Worth Knowing About

Described by Tate as “long overdue”, on Thursday 11 October 2018 an extensive retrospective of textile designer Anni Albers’ pivotal contributions to modern art and design opened at London’s Tate Modern. Albers was a student at the much-celebrated Bauhaus school, and as an alumni of this radical institution, her name sits alongside some of the most influential figures from the worlds of architecture, art and design. However, despite her historical importance, she is often overlooked and this will be the first ever UK exhibition of her work.

Bauhaus, Dessau, Germany | by Nate Robert

Bauhaus philosophy is one that addresses the need for effective, efficient and affordable design. The school’s founding and most-quoted principle is, “form follows function”. This meant that Bauhaus design processes put the function of a product at the top of the hierarchy of needs applied to any piece of furniture, accessory or interior. This helped shaped the utilitarian style of the era that took inspiration from architectural Modernism but made a number of exciting new materials and manufacturing methods available to the masses. Having graduated from Istanbul’s School of Fine Arts, Topfloor founder Esti was lucky enough to have studied under tutors, such as Boris Niemann, who moved to Turkey from the Bauhaus school. Esti explains, “They opened our eyes to contemporary design.” This influential education later became a catalyst for the Metallica collection, inspired by Bauhaus style.

Topfloor Enrich Rug, from the Metallica collection

As Tate prepares to open it’s showcase of one Bauhaus woman’s legacy, here are three whose stories continue to inspire us today.

Anni Albers

Combining the ancient craft of hand-weaving with the language of modern art, Albers found, within this medium, endless opportunities for the expression of modern life. Berlin-born, Annelise Else Frieda Fleischmann joined the Bauhaus school as a student in 1922. It was at the school that she rubbed shoulders with key modernist figures such as Wassily Kandinsky and Paul Klee, and it is also where she met famed artist and educator Josef Albers, who she soon married.

Weaving by Anni Albers at Bauhaus: Art as Life at the Barbican | by charclam

While the Bauhaus was radical in its approach to most things, including gender equality, there were still obstacles that meant Albers was discouraged from certain disciplines and began weaving by default. Fortunately, the young designer thrived in this realm and used her craft as a way to tell incredible stories and document the highs and lows of living.

Marianne Brandt

Renowned painter, photographer and Bauhaus professor László Moholy-Nagy recognised Marianne Brandt’s unique talent at an early stage of her studies. With his support and encouragement, she broke rank among gender stereotypes and studied in the male domain of the metal workshop, ultimately becoming more successful and influential than many of her peers. Brandt’s metal objects for everyday use are still hallmarks of the Dessau Bauhaus and she is celebrated not only as a pioneer in metalwork, but as a widely recognised woman in an aggressively masculine industry.

Marianne Brandt Teapot | by Matthew Mendoza

She continued her training at the Bauhaus and continued her work in the metal workshop with Moholy-Nagy. By 1926 she had already designed the first lighting fixtures for the Bauhaus Building in Dessau. From the summer semester of 1927, she was in charge of technical experiments in lighting in the metal workshop. From May 1928 to 1st July 1929, she was the director of the metal workshop.

Gertrud Arndt

Undoubtedly inspired by the likes of Bauhaus founder Walter Gropius, Gertrud Arndt’s ambition was to become an architect, but it was only when we arrived at the Bauhaus in 1923 that she realised architecture classes were not yet part of the school’s offering. Instead, she began crafting geometrically patterned rugs in the weaving workshop. Famously, one of these textile design adorned the floor of Gropius’ own office. In spite of her way with weaving, it was Arndt’s photography practice that she honed outside of the structured Bauhaus workshops.

Topfloor Epicentre rug

Beginning by photographing the buildings and urban landscapes around her, Arndt’s photography skills were all self-taught. She began assisting her husband’s architecture firm, shooting their project sites and buildings, but it was a series of unique self-portraits titled Mask Portraits that ultimately shaped her legacy. The series shows Arndt performing a range of traditional female roles wearing a profusion of veils, lace, and hats and is now seen as a pivotal precursor to feminist artists such as Cindy Sherman.

Read more about Anni Albers at Tate and watch the trailer for her retrospective here.

Design and Art in Paris and London

September is a pivotal month for interior designers around the world. Between Paris Design Week, Maison et Objet, London Design Festival, Decorex International and London Design Biennale, designers from far and wide pack their bags and head to the two capital cities to uncover the latest and greatest materials, processes and themes that will go on to shape the industry.

Place Vendome. Photo credit: Esti Barnes

From artists, to authors, to musicians and photographers, both Paris and London are renowned for their rich history of cultural alumni. Here are the movements and creative legacies that have inspired us here at Topfloor.

Art Deco

Also known as ‘style moderne’, Art Deco was a movement within the worlds of decorative arts and architecture and originated in 1920s Paris. The name was derived from the Exposition Internationale des Arts Décoratifs et Industriels Modernes, held in 1925 in the city of love. One of the most influential movements ever, Art Deco represented modernism as it transformed into fashion and luxury. Key figures from this period rejected traditional styles and crafted luxury items, as well as mass-produced wares and architectural icons like the Chrysler building in New York. We love everything about this era of design – fashion, jewellery, interiors, architecture and everything that came with it – and its influence can be found in a number of our rug designs.

Topfloor Marlene Rug, Jazz Age Collection

Jean-Louis Deniot

Someone who we both work with and admire is interior designer Jean-Louis Deniot. His academic training translates into narratives that are simultaneously informal and bold and his eclectic, emblematic interiors are celebrated worldwide. When he does contemporary he does it with with a profound use of history and references that infuse with his unique style to produce a timeless yet timely atmosphere.

Topfloor Roots rug, The Script Collection

Hassan Massoudy

Artist Hassan Massoudy – who was the inspiration behind our Script collection – is an Iraqi artist who lives and works in Paris. He has taken calligraphy as an artform and transposed it into dance and performance art as well as more contemporary interpretations of traditional script styles.

The Swinging Sixties

An era that continues to define British culture, the 1960s blossomed as a revolutionary decade where rule-breaking shaped fashion, music and art, and creative industries thrived on a country’s lust for liberation. Youth ruled and experimentation was everything. Bands like the Beatles encouraged younger generations to own their sense of self and there was a shift in socio-economic power that saw the mad men of the ad world challenged to appeal to a new audience demanding revolution.

Victoria & Albert Museum

Home to a permanent collection of more than 2.27 million objects and artefacts and a constant source of inspiration, London’s Victoria & Albert museum is the world’s largest museum of decorative arts and design. The story of the V&A, which was opened in 1852 and was named after the Queen and her husband at the time, can actually be traced back to the Great Exhibition of 1851, of which Henry Cole (the first director of the museum) was involved in planning. Recent favourite exhibitions have included Frida Kahlo: Making Her Self Up and Shoes: Pleasure and Pain.

David Hockney

Britain has produced some incredible, groundbreaking artists and one of our favourites is Hockney. His playful, colourful and often thought-provoking style has documented life, love and culture for decades and he was a key contributor to the Pop Art movements of the sixties. He is sometimes compared to Matisse, whose work we also admire, and hails from beautiful Yorkshire.

Find more of what inspires us on Instagram.


As the interiors world moves away from the minimalism of Scandinavian style and is increasingly opting for lavish, 1970s-inspired schemes boasting layers of anecdotal design, many style-conscious homeowners are looking to the world of vintage and antiques for aesthetic inspiration.

Topfloor Dream rug, from the Script collection

We at Topfloor have always enjoyed blending old and new.The Ottomania collection takes inspiration from the 14th century while Script is a direct reference to the centuries-old craft of Arabic calligraphy brought to life in the artwork of Hassan Massoudy.— and although there is endless beauty in the eclecticism that nostalgia brings, there are also a few important considerations required to avoid turning your home into a dust-laden museum or archival blackhole. These leading industry voices have shared their top tips for flawless procurement and decoration:


“Every good home must have at least one old piece, be it vintage or antique, it helps break the monotony of just using modern furniture,” says Interior designer and judge on The Great Interior Design Challenge Daniel Hopwood. “I love trawling through the internet for old furniture and artefacts. For the glamorous and expensive 1stdibs is it, but for more localised sourcing I go to Panomo where I recently sourced a 19th century Venetian bombe commode for my own home. You have to try Ebay too, I found a pair of French 19th century gilded armchairs with perfect upholstery — the cost? £500.”

Interior designer Daniel Hopwood modelling his Ebay finds. Image courtesy of Studio Hopwood.

Mary Claire Boyd, who is fair director of The Art & Antiques Fair at Olympia, argues the importance of making friends. “Build up relationships with dealers. Once they know you and you know them, they will be willing to find things for you based upon your taste and budget. Discovery is often the hardest job so enlist their support as they are most well placed to do so. Don’t be afraid to ask questions and capitalise on their vast expertise.”

Quality Control

“Don’t be afraid to examine a piece thoroughly, even if this involves crawling under a table or examining the back of a cupboard,” says antiques dealer Appley Hoare. “These are good indicators as to whether the piece is genuine or not. Don’t hesitate to question the dealer about any restoration, the item’s age and provenance. Beware of newly painted items as the paint may hide unsightly restoration, badly stained wood, or worse still wood worm.”

Topfloor Kaftan rug, from the Ottomania collection.


Rebecca Robertson, interior designer and co-author of ‘Collected: Living With The Things You Love‘, has an easy-to-follow rule for those new to styling vintage and antique pieces. “Group objects by colour. This is one of my favourite tricks. Antiques instantly become unified and, unlike a museum, you don’t have to organise by geography or time period — you make the rules.”

A bedroom designed by Daniel Hopwood featuring vintage bedside tables. Image courtesy of Studio Hopwood.


As the glorious British summer continues to spoil us with day after day of soul-enriching sunshine, we can’t ignore the charm of a life lived al fresco. From early morning coffee in the garden, to late night dining on the terrace, now is the time to make the most of your outdoor spaces, however petite or sprawling. Outdoor rugs are always a favourite when it comes to zoning outside spaces, but what other design ideas can help us create an enticing oasis of our own?

If you find yourself being drawn outside toward the end of the day, perhaps with a salad or cocktail in hand, you might want to consider making sure the space is usable in dusk light, as well as in the midday sun. “Any small garden can be instantly transformed with lighting.” says award-winning design duo Forward Features. “Whether it be outdoor hurricane lanterns lining the borders, candle holders hanging from branches or fairy lights glistening overhead, using lighting can make your garden feel like an extended space and will ensure that even when the sun goes down, the party doesn’t have to stop!”

Image courtesy of Minotti London.

Elton John once said, “I can not bear gardening, but I love gardens.” Sound familiar? While the therapeutic benefits of gardening are something of marvel, it’s perfectly fine if you’re someone who finds the idea of an afternoon spent weeding on your knees less than desirable. If you love the thought of a low-maintenance, lawn-free outdoor space why not go for a more contemporary look with raw materials and industrial finishes such as copper complementing a chic patio or decked area.

Image courtesy of Minotti London.

When it comes to function, remember three key things. You need something to sit on, somewhere to put your glass down and something to keep you warm when the conversation trails into the night. Writing for House & Garden, Tory Kingdon sings the praises of the humble fire pit. “Fire pits look fantastic in a country setting but are also great for city gardens.” she explains. “They act as a focal point, because nothing beats sitting around a fire, and provide warmth, because let’s face it the extra jumper doesn’t always cut it on a British summer’s evening.”

Urban garden belonging to Esti & Russell, as featured in Homes & Gardens.

As a society crammed into densely-packed urban areas, the need to get creative with architecture and interiors is more apparent than ever before. You’re already making the most of awkward corners and impractical box rooms, so don’t forget to apply the same enthusiasm outdoors. As demonstrated by garden designer Kate Gould with her gold medal-winning show garden at the RHS Chelsea Flower Show last year, urban abodes (and the dynamic developments they often exist as) are a unique landscape where multi-level gardens can be created, softening new-builds with lashings of greenery and using floral displays to frame the facades of classic townhouses. Play with zoning using different types of foliage and plant-life to give each section a unique sense of identity or purpose.

British Institute of Interior Design members share the secrets behind creating a beautiful summer house

After a long winter, we seemed to have skipped spring and jumped straight into a beautiful British summer. As London basks in a warm glow, our minds have turned to channelling the bright colours of these favourite months into summer house interiors. While we love working on interior projects, there’s something rewarding about collaborating with designers and clients to curate outdoor spaces that delight both aesthetically and functionally.

Chris Beardshaw’s winning show garden at RHS Chelsea Flower Show 2018

Marking the start of summer in the best way possible, the RHS Chelsea Flower Show returned at the end of May, and it wasn’t just the gardeners showcasing their creative talents. BIID Registered Interior Designer and founder of Studio Clark + Co Lucy Clark collaborated with renowned garden designer Chris Beardshaw to design a stunning show garden, which was crowned Best Show Garden by the judging panel. Clark champions the importance of creating seamless indoor/outdoor spaces to make the most of the season, and bringing the outdoors in with nature-inspired prints.

The interiors of Chris Beardshaw’s show garden, designed by Studio Clark + Co

“I was so honoured to be asked to design interior elements for Chris Beardshaw’s Morgan Stanley NSPCC garden at the Chelsea Flower Show. When initial discussions took place, Chris wanted to create an interior/exterior space. It was therefore important for us to style the spaces which were both practical for outside use complimenting the garden but also comfortable and inviting for the interior. Introducing rugs to exterior spaces is becoming more and more popular with such a wonderful selection for interior designers to chose from. The rug we used at Chelsea instantly transformed the space into a more cosy environment subtly reflecting the sheer beauty of Chris’ garden. We are currently designing a contemporary extension in Wimbledon Village overlooking our client’s stunning garden with concertina doors and a window seat opening the extension right out into the garden. I have been so inspired by my experience working with Chris I am introducing botanical prints to the window seat and cushions which are practical for exterior and interior use.” — Lucy Clark, Studio Clark + Co

Topfloor Reprise Rug in natural silk

Former president of the British Institute of Interior Design and Tessuto Interiors creative director Susie Rumbold reminds us that it’s important to consider the usability of spaces within a summer house interior, and that intelligent surfaces finishes are key to essential long-term maintenance.

“When designing a summer house, the most important considerations arise from the way people use them. People are on holiday, so everything has to be effortless and easy. People want to be comfortable, relaxed and sociable, and nobody wants to be cleaning. Plus there is much more indoor/outdoor traffic in a summer home so much more of the outside gets trekked in. Surfaces must be easy to maintain, bedrooms need to be comfortable and dark for quality lie-ins, there need to be large squashy seating areas preferably with a real fire where whole families can snuggle up and watch movies on TV. Kitchens need to be open plan and set out so that everyone can lend a hand preparing food and cleaning up. Breakfast bars are ideal for this. If homes are to be multigenerational, and they often are, thought should be given to areas where grownups can retire while the kids go crazy, or the grandparents can go to bed early for some peace and quiet.” — Susie Rumbold, Tessuto Interiors

Topfloor Mulberry Outdoor Rug

Echoing Rumbold’s comments on practicality, BIID Director and interior designer Harriet Forde explains the approach she took to designing her own summer house at the bottom of her North London garden.

“I kept the interior quite simple and Scandi-style (reflecting the exterior) as it’s a flexible space for exercise, work, play and an overspill bedroom. We installed underfloor heating for comfort and an easily cleanable floor, to address the issue of mud being picked up from the garden in the winter.” — Harriet Forde, Harriet Forde Design

Topfloor Cobbles Aquamarine Rug

See more outdoor and rug design inspiration over on Pinterest.

Finding interiors inspiration in film

Cannes Film Festival is once again upon us — a timely reminder that some of the best interior design projects are film-sets. From the four-poster dreams of fairytale castles, to the eery perfection of Patrick Bateman’s New York apartment, there are endless cinematic design schemes that have become icons of contemporary popular culture. Piercing this convergence of reality and fantasy with our own creativity, Topfloor has seen its rug designs featured in films, such as 2007 thriller Sleuth. Creating a fictitious world, production designers use carefully curated interior and design items to create a look void of ambiguity that provides a visual insight into the atmosphere and mood of the storyline.


The symbiosis of these two visual outlets — film and design — is a two way street, and when it came to our 2014 Jazz Age collection, design director Esti took great inspiration from the Jazz Age and Art Deco style, reinterpreting it for the contemporary interior. Each of the six striking designs is named after an equally memorable Hollywood star. 




Fashion designer Tom Ford studied architecture at Parson’s School of Design and his meticulous sense of space and eye for detail are evident in the 2016 crime drama Nocturnal Animals, which he directed. Like any professional interior designer, Ford apparently filled 3 ring binders with cuttings and sketches from which he culled just the right locations, furnishings and objects to capture the dark and often violent mood of the film.

Private residence by

Another film director who has inspired a 21st-century obsession with film aesthetics is Wes Anderson. Known for his love of symmetry, pastel hues and flawless uniformity, the über-cool creative has produced a string of cult classics since the launch of his career in 1992. His latest release, Isle of Dogs, was celebrated with an immersive London exhibition of the film’s model sets, complete with a pop-up ramen noodle bar. Fans and critics alike recognise the genius in his approach to taking real life and using poetic licence to embellish and enhance it, and queues for the exhibition itself could be found trailing through London’s West End.

Although his work in stop-motion has received wide acclaim, it is Anderson’s hyper-stylised live-action pictures that have proved to be a catalyst for social media users’ love of precise styling and monochrome art direction. Must-watches include The Life Aquatic with Steve Zissou (2004), The Darjeeling Limited (2007), The Grand Budapest Hotel (2014) and The Royal Tenenbaums (2001). One of the best Instagram accounts out there is @accidentallywesanderson. Racking up an impressive 355k followers in under a year, the vibrant feed is bursting with photography of real life locations that give visitors a taste of what life would be like if we lived in one of Anderson’s films. Below is one of our favourites, why not give them a follow and find your own?

The Enchanting Story of Milan Design Week (And What to See While You’re There)

2018 will see Italian style-hub Milan host the 57th edition of Salone del Mobile, the world’s largest and most influential furniture and interior design fair. Launched as a furniture-focused showcase of the world’s greatest designs, original sponsors of the fair were manufacturers from the Federelegno-Arredo trade association, but these days the show itself welcomes more than 2000 exhibitors, while the number of brands, studios and designers contributing the city-wide event can be in excess of 13,000.

Bar Basso, photographed by Andrea Zani

Also known as Milan Design Week, this year’s event will take place 17—22 April and will have been highlighted in the diaries of architects, interior designers, design tourists and journalists alike for many months prior. Regular Milan-goers will agree that accommodation is in short supply and you can end up scattered across the stunning urban landscape, but Salone veterans also know that there’s only one place to be at the end of each day. Bar Basso is arguably Milan’s most famous watering hole. Recognised for its traditionally Italian interiors, and rumoured to be the birthplace of the Negroni, design lovers spill out across the streets surrounding the tiny bar and come together to swap stories about the sights they’ve seen across the city each day. As uncovered by Wallpaper* in this fascinating insight, the tradition began when the bar’s owner Maurizio Stocchetto became friends with a group of up-and-coming English designers in the 1980s. The group included the late James Irvine, who lived in Milan and worked for Ettore Sottsass, founder of the Memphis movement.

Appartamento Eley Kishimoto for Kirkby Design, at Via Palermo 1, 2017

It’s more than just tradition, espresso and perfect Negronis that keep the spirit of Salone del Mobile alive year after year. For interior designers, architects and brands, the Milan fair is the go-to destination for launching and discovering the latest collections, trends and innovations. The best way to stay ahead of the curve and be the first to utilise new materials and process? Head to Milan and hope you find them first. Italian giants such as Minotti and Versace use Salone’s vast exhibition halls to offer an exclusive look into their fiercely guarded new releases, whereas global industry leaders such as Dimore Studio and Kirkby Design utilise the city’s charming streets and beautiful buildings to add glamour and quirk to their showcases.

Dimore Studio, Milan Design Week 2017

Some have been know to take up residence in the iconic cinema and galleria on via Manzoni, while British textile design house Kirkby Design harnessed the beauty of a classic Milanese apartment to create a show-house for their collaboration with Brixton graphic art duo Eley Kishimoto. One of our favourite moments from 2017 was Moooi. Under the artistic direction of famed designer Marcel Wanders, the brand launched ‘A life Extraordinary’ and revealed new works set against the opulent beauty and colour of bugs from the Oxford University Museum of Natural History’s collection. The level of research conducted by an astounding team of biologists allowed the designs to encompass hyper-realistic photographs within the show and applied to printed carpets unrivalled in detail. Other highlights included Paola Lenti’s vibrant feast for the eyes and the diverse quirks of Rossana Orlandi spotted around the city.

Sé installed the four-room show apartment at Spazio Rossana Orlandi, 2017

There’s lots to see during the design week, so it’s worth getting your head around the geography of the city ahead of any visit. The main hot spots are Brera Design District, Ventura Lambrate and Zona Tortona, while the main show itself, Salone del Mobile, is a brief metro ride north west of the city centre at Fiera Milano. The key to making the most of any of these design playgrounds is carb-loading with pasta and pizza from local restaurants, cobble-friendly footwear and a childlike sense of curiosity.

Moooi, ‘A Life Extraordinary’, photographed by Andrew Meredith, 2017